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To the Fanfare of Libori - „Liboritusch“
Since 1736 (the 900-year-feast of Libori) in use, the Libori-Fanfare comes from Mendelssohn's oratory „Paulus“, which first concert in may 1836 is near the very first use of the Fanfare of Libori during the 1000-year-feast of Libori.
The improvisation over the Fanfare of Libori and the choral „Sei gegruesset oh Libori“ starts on the Choir organ solo. The first fanfare is heard from the Bombardwerk of the main organ. After the response of the whole organ the Choir organ shows for the first time the theme of the chorale. The second fanfare of the Bombardwerk catches the dialog, Choir and Main organ recite the chorale. Different groups of stop ensembles (Fonds, Anches, 16'8'4' etc.) of both organs lead to a increase to another fanfare from the Bombardwerk. After this the Chorale is given from the whole organ, before the improvisation ends with the whole organ together with the Bombardwerk, reciting the fanfare of Libori again.
Despite of an error in the recording i don't want to relinquish this recording (from the 30th of july 1995) from this compilation.

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from Peter Ewers plays improvisations at Paderborn Cathedral (Dom​)​, Germany on the three historic Feith​/​Sauer​-​Organs from 1948​/​1981 (IV​-​139) - Historical recordings from the 90s, released February 19, 2013

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Peter Ewers Bielefeld, Germany

Peter Ewers, born 1963, develops an own style of improvisation autodidactically, works as an organist at Paderborn cathedral for five years (with up to 480 services a years). 1996 first CD of improvisations, 1997 on the Cavaillé-Coll-organ of the Madeleine, Paris (critic's prize Coup de coeur), 2000 „Les planètes“ Notre-Dame de Laeken, Brussels (four of five tuning forks in „Diapason“). ... more

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